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For the Season Box Sets, Nathan Johnson's Ultimate Uncut Special Edition music for episodes 1-67, and the Faulconer Productions music for episodes 68-291.

English track with revised dialog based on the FUNimation dub, with FUNimation dub music (Dolby Digital 2.0 stereo).

English track with revised dialog based on the FUNimation dub, with the original Kikuchi score (Dolby Digital 5.1 surround).

Original Japanese audio (Dolby Digital 1.0 mono), with optional English subtitles.

English track from Funimation dub, with the original Kikuchi score (Dolby Digital 5.1 surround, note that the FUNimation dub that aired on Cartoon Network used the original Japanese music there was no original dub score ever made for the FUNimation dub of Dragon Ball).

The following audio options are available on all box sets:

The decision to crop the picture was FUNimation's decision, not Franko's.įranko has said that due to a small budget and short schedule, he and his team were not able to do a complete and thorough job of the transfer. This allegedly helped to eliminate some of the grain and glue on the top and bottom of the picture, and added more image to the left and right than any previous standard definition transfer, but also removed footage from the vertical aspect.

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The restored footage was then laid out tape-to-tape at 1080p The series was telecined at an aspect ratio of 16:9, re-conforming it from its original 4:3 aspect ratio. The entire process was done at 23.976fps (often referred to as 24fps for shorthand), the original frame-rate of the masters. However, when the prices for each individual piece of equipment are added up, the equipment actually cost closer to 1 million eight hundred and thirty five thousand dollars. Franko stated in an interview that it took over 2 million dollars worth of equipment to carry out the restoration. Next was the Teranex, which was the final process of the clean-up. Next came the restoration process: the film was first processed by a Digital Vision DVNR 1000 HD Noise Reducer, which eliminated much of the video noise and grain that was in the system.

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First was color correction, which Franko stated was little to none, using a Da Vinci 2K Plus Color Corrector.

Lead by colorist Steve Franko, all 291 episodes of Dragon Ball Z were given a series of clean-ups. Video Post & Transfer was responsible for the restoration process, during which they used the original 16mm negative, taken from FUNimation's film vault.

#Dragon ball z song stereo movie#

8.4 Dragon Ball Z Movie Collection Three.

8 Dragon Ball and Dragon Ball Z Movie Collection Box Sets.

7 Dragon Ball Z Movie Double Feature DVD/Blu-ray Steelbook Sets.

Several voices in early Funimation-dubbed episodes also received redubbing for this release for consistency purposes (it should be noted that DBZ Episodes 1-67 and Movies 1-3 were redubbed from 2004-2006 for the earlier "Ultimate Uncut" Cartoon Network broadcast and canceled DVDs). These releases are also notable for being the region 1 debut for the uncut versions of Dragon Ball Episodes 1-13, Dragon Ball Z Episodes 28-67, and Dragon Ball Movie 1.

#Dragon ball z song stereo tv#

The sets do not include the next episode previews due to Toei not having supplied them to Funimation (they were recreated for TV broadcast and previous home video releases), although the narrator still erroneously provides the "stay tuned for scenes from the next episode" message. While the Z sets are cropped to achieve an anamorphic widescreen presentation, the original Dragon Ball and GT sets are presented in the original 4:3 aspect ratio. Similar sets have also been released for Dragon Ball and Dragon Ball GT. For Dragon Ball Z, they feature an anamorphic widescreen (16:9) transfer from original Japanese film print, a revised English audio track, original English and Japanese audio tracks, plus many other special features.

The Funimation "remastered" Box Sets are a series of DVD box sets released by Funimation.